Bill Nelson allegedly hates being compared to David Bowie, but his career has spanned the same length and has taken as many twists and turns - though I don't think Bill ever died his hair orange and claimed to be from Mars.
He started off in the prog-rock mould and was famed for his guitar skills, but in the late '70s his music (then with Be-Bop Deluxe) became very keyboard-oriented and by the early '80s it was pretty much synth-pop heaven. And a lot of it really was heavenly, even for someone like me who was only ever mildly into synth-pop.
This was from his 1982 album The Love That Whirls.
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