Here’s a little slice of postpunk obscurity from Manchester’s Blue Orchids, a band that seem to be known best – if at all – for their relationship to the Fall (guitarist Martin Bramah and keyboardist Una Baines were both ex-members). There is some resemblance between the two groups, although Bramah’s lyrics aren’t quite as off-the-wall as Mark E. Smith’s. Their vocal styles are comparable to some extent; Bramah’s is less of a caterwaul but can be equally grating if you’re not in the right frame of mind for it. I don’t really think I could listen to a full album of theirs in one sitting, any more.
The coolest thing about the Blue Orchids was Una’s organ. It sounds oddly out of place in a lot of their songs, and indeed I can’t think offhand of another band of this genre that made such, erm, effective use of it.
This is one of their poppier moments, so not surprisingly one of my favourites.
2 comments:
"I don’t really think I could listen to a full album of theirs in one sitting, any more." -Shame on you! Not grating enough for my liking! But it was a fine single, ace B-side too.
- dave p
My ears must be getting more sensitive in my old age :) Yeah, great single on both sides.
Post a Comment